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Green Zone
In a story that seems more poignant and powerful about the head of the arrest mission called Roy Miller and his team of inspectors. The team will lead Miller to do the job in 2003 to find Iraq's stockpile of weapons of mass destruction, the most controversial issue of the time. But perhaps the discovery of the secret secret intelligence will cause Roy to go to the rogue in a dramatic and unexpected way.
18 January 1975, Greenwood, Mississippi, USA
3 May 1968, Queens, New York City, New York, USA
5 July 1968, Meknes, Morocco
8 October 1970, Boston, Massachusetts, USA
6 October 1978
July 30, 2012
This is a frenetic and powerful action flick that brings the fight to you.
July 28, 2011
The story of the Iraq War is fascinating, but the checklist of talking points is not.
March 12, 2010
Reduces policies that caused the deaths of thousands to the equivalent of a first-person-shooter video game.
October 01, 2012
"Green Zone" simply offers up a fun, entertaining ride that has you on the edge of your seat throughout most of the film. If you are into the politics though, you may just find it a little more interesting.
April 04, 2011
It's like Inglourious Basterds but without the fun.
January 03, 2011
It's one thing for the filmmakers to (sort of) fictionalize real people, but Green Zone wraps up with a wish-fulfillment fantasy that is about as believable as watching reinforcements riding in to save Custer.
April 08, 2012
A reasonably gripping entertainment.
March 12, 2010
Green Zone hits hard and doesn't forgive. It plays out like fiction, and in some ways it is. But in too many ways, it's not.
March 15, 2010
Greengrass concocts a formula with a fighting chance of dispelling the Curse of the Hollywood Iraq Movie. If a picture as conventionally accessible as Green Zone tanks, that campaign is surely lost.
May 06, 2011
Green Zone is the rare miss from frequent collaborators Matt Damon and director Paul Greengrass.
March 12, 2010
Distills -- not simplifies -- the clashing forces that dashed our chance of peace. Greengrass is economical in his scenes; the film bolts forward like a greyhound chasing a lure.

