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Goya's Ghosts
Set against the backdrop of political turmoil at the end of the Spanish Inquisition and start of the invasion of Spain by Napoleon's army, the film tells the story of painter Francisco Goya who faces a scandal involving his muse, who is labeled a heretic by a monk.
20 June 1952, Ferrol, A Coruña, Galicia, Spain
7 March 1963, Madrid, Spain
3 October 1986, Santiago de Compostela, A Coruña, Galicia, Spain
April 25, 1945 in Alfara del Patriarca, València, Comunitat Valenciana, Spain
21 July 1986, Madrid, Spain
1942, Cartagena, Murcia, Spain
7 August 1958, Ware, Hertfordshire, England, UK
19 April 1940, Huelva, Huelva, Andalucía, Spain
13 May 1942, Los Angeles, California, USA
1961, Alcantarilla, Murcia, Murcia, Spain
21 October 1936, Oregon City, Oregon, USA
3 April 1957, Madrid, Spain
29 May 1961, Zaragoza, Zaragoza, Aragón, Spain
24 September 1971
December 16, 2010
Intense historical epic is for adults only.
December 21, 2007
Goya, aqui, é o coadjuvante de luxo de uma história que não faz jus nem mesmo aos seus protagonistas.
August 03, 2007
A punishing misfire.
September 07, 2007
Goya gets lost as the filmmakers turn Spanish history into a chronicle of easy contemporary targets. They don't just hit the social-political bull's-eye -- they obliterate it with a cannon and inadvertently scorch the dramatic landscape all around it.
January 19, 2014
A ridiculous biopic of the great Spanish artist.
October 10, 2007
A storyline that turns so silly, you half-expect Mel Brooks to show up reprising his "Inquisition" musical number from History of the World Part I.
August 23, 2007
Think of it as an Amadeus that doesn't work.
August 27, 2009
Cumbersome and often stilted, Goya's Ghosts remains a worthy drama
August 03, 2007
Misery, misery, misery.
August 09, 2007
It's a richly seen and felt movie, but not one with a feel-good message.
August 24, 2007
Captures the essence of the period -- an intriguing, backward era in Spain -- but without the emotional impact that such a film requires.
August 08, 2007
A modern sensibility afflicts much of the screenplay, with characters expressing thoughts and opinions for our ears rather than acting as people of that era.