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Gone
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CREATORS OF "Gone"
Gone
CRITICS OF "Gone"
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Georgia Straight
Resource

February 15, 2013

By the end of Gone you'll be convinced that it's just a low-rent reworking of The Silence of the Lambs, with Seyfried's humongous peepers a sad substitute for Jodie Foster's acting chops.
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The Ooh Tray
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April 23, 2012

It's all very well giving Amanda the power to vicariously avenge sex attacks, but it doesn't do much for gender relations.
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Film.com
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February 26, 2012

No money should ever change hands in any Gone-related interaction, unless it is because you are buying matches and gasoline to set all the copies of it on fire.
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London Evening Standard
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April 20, 2012

It's one of those Hollywood movies that goes in one eye and out the other.
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Daily Star
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March 14, 2013

Unbelievably lazy.
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Birmingham Mail
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April 20, 2012

Seyfried shows she's not the kind of actress who would be an easy victim in a Scream movie.
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New York Observer
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February 29, 2012

Gifted and sincere as she always is, there's not much Ms. Seyfried can do with this tripe.
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Flick Filosopher
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April 23, 2012

With 'friends' like this movie, the feminist cause doesn't need enemies... [E]ven if Jill isn't crazy... she's still crazy, because she does not behave like a sane person.
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Time Out
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February 26, 2012

Siblings aren't the only things missing from Gone: Suspense, scares and common sense are all likewise MIA.
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Boston Globe
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February 27, 2012

It's a significant letdown that after all Jill's running, and all the guessing Seyfried makes us do, the climactic confrontation plays like an uninspired afterthought.
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Time Out
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April 19, 2012

Everything about 'Gone' has the plasticy, leatherette feel of an imitation thriller.
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Los Angeles Times
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February 27, 2012

A movie that makes "Murder on the Orient Express" feel like"The Silence of the Lambs"by comparison.
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