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Gods of Egypt
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DIRECTORS OF "Gods of Egypt"
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Gods of Egypt
CRITICS OF "Gods of Egypt"
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MovieCrypt.com
Resource

January 29, 2017

Not funny enough to laugh at, not pretty enough to look at, and not serious enough to care. Like, "what the devil were they thinking?" bad.
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The Mary Sue
Resource

December 31, 2016

It clearly seems to have been made with the desire of making something of quality that just fails spectacularly, and there are definitely some unintentionally laughable moments -- actually a lot of them.
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The Atlantic
Resource

February 27, 2016

Gods of Egypt gets lost in its own budget, constantly shooting to outdo its visual grandeur but forgetting to lend it any depth. But there's a mad ambition at work.
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Japan Times
Resource

August 31, 2016

It's a mystery what happened to the movie's reported $140 million budget. The CGI effects vacillate in quality from ho-hum to horrendous.
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New Zealand Herald
Resource

February 14, 2017

It was jarring, distracting and hilarious to watch, almost like being in a very sandy fun house.
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Brooklyn Magazine
Resource

November 29, 2016

Granted, there's really no good reason for this nonsense to last over two hours; there's probably no good reason for it to exist at all beyond garnering Alex Proyas a long-overdue paycheck. But here it is, and it's actually pretty fun.
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New York Magazine/Vulture
Resource

February 27, 2016

If it wasn't all CGI, I would have said I hope they saved the sets for another, better movie.
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Salt Lake Tribune
Resource

December 31, 2016

[Gods of Egypt] wraps a cheesy storyline within yards of gaudy spectacle.
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MTV
Resource

February 26, 2016

It's tempting to dismiss Gods of Egypt as the most perfectly bad film I've ever seen. But that's not fair. It's perfectly itself - a bizarre, yet cohesive, construction.
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Village Voice
Resource

February 27, 2016

As bad movies go, this one at least is all-in on its badness.
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BuzzFeed News
Resource

March 03, 2016

Sometimes Gods of Egypt has fascinatingly go-for-broke visuals. Other times, 1997 Oscar winner Geoffrey Rush... glowers on his boat in space between breaks fighting chaos, as represented by a toothy cloud worm.
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ReelViews
Resource

February 27, 2016

If one is going to make special effects the focus of a movie, they need to be good special effects, and that's not the case here. Proyas' ideas are never fully translated from imagination to screen.
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