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Glory (Slava)
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Glory (Slava)

Description
Tsanko Petrov, a railroad worker, finds millions of leva on the train tracks. He decides to turn the money over to the police, for which the state rewards him with a new wristwatch that soon stops working. Meanwhile, Julia Staikova, head of the PR department of the Ministry of Transport, loses Petrov's old watch, a family relic. Here starts his desperate struggle to recover both his old watch and his dignity.
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Glory (Slava)
CRITICS OF "Glory (Slava)"
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Otroscines.com
Resource

October 10, 2017

...a burst of final violence never seen in the duo's filmography has valuable, and disturbing, results. [Full Review in Spanish]
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CineVue
Resource

July 26, 2017

Littered with amusing set-pieces involving bumbling state functionaries, the film's comedy is executed with a flair for comic timing, yet there's no escaping the ensuing laughter is tinged with a heavy sense of apprehension.
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indieWire
Resource

April 04, 2017

Cutting between its two protagonists throughout, Glory builds sufficient intrigue around what might happen once their paths again.
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El Mundo (Spain)
Resource

July 14, 2017

This satire, like so many others, is based on confronting the poor and honest worker (and a bit pathetic for solitary, shy and stuttering) and there is scarcely anything new in criticism and humor. [Full review in Spanish]
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Clarín
Resource

October 13, 2017

... a new opportunity to enjoy the talents of Kristina Grozeva and Petar Valchanov. [Full review in Spanish]
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FILMINK (Australia)
Resource

July 24, 2017

At times, Glory will slap you with gallows humour that will make you feel terrible for laughing.
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Boston Globe
Resource

May 04, 2017

Grozeva and Valchanov relate their morality play with ... fluid, grimy realism ...
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Film Inquiry
Resource

August 29, 2017

Glory is a tight, intelligent drama that builds its intensity in a real smart and organic fashion.
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Variety
Resource

April 04, 2017

Co-directors Kristina Grozeva and Petar Valchanov's Glory confirms the advanced promise shown in their award-winning narrative debut, The Lesson.
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New York Times
Resource

April 11, 2017

The variable incongruities of "Glory" give it a queasy power uncommon in contemporary cinema.
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Seattle Times
Resource

June 20, 2017

Stefan Denolyubov, as the linesman, and Margita Gosheva, as his nemesis, are painfully on-target in this Bulgarian satire.
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Hollywood Reporter
Resource

April 04, 2017

A sharply executed, superbly performed Bulgarian tragic dramedy where the lives of a cosmopolitan PR woman and lonely railroad worker come together in some highly unfortunate ways.
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