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Get Rich Or Die Trying
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DIRECTORS OF "Get Rich Or Die Trying"
Get Rich Or Die Trying
CRITICS OF "Get Rich Or Die Trying"
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Film Journal International
Resource

March 01, 2007

People behind the movie will no doubt get rich, but it's a shame they didn't try harder to make a better picture.
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Reel Film Reviews
Resource

July 15, 2006

...a distinctly tedious piece of work.
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San Francisco Chronicle
Resource

November 09, 2005

Director Jim Sheridan and screenwriter Terence Winter have difficulty fashioning these events into a story that has a coherent point or purpose.
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Cinema em Cena

May 18, 2006

Embora limitado como ator, 50 Cent tem carisma para segurar o filme, que acaba falhando não em função do rapper, mas de seu roteiro convencional que soa como pálida imitação de 8 Mile.
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CinePassion
Resource

September 01, 2009

Sheridan's surface vividness is applied around a vacuum
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Film Freak Central
Resource

June 15, 2006

Marcus sells dope. Marcus buys a gun. Marcus buys a microphone. Marcus goes to prison. Marcus gets shot. Marcus makes a movie about his life that no one goes to see.
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Christian Science Monitor
Resource

November 10, 2005

This thinly autobiographical gangsta odyssey never achieves liftoff, and Jackson is unconvincing.
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AALBC.com
Resource

January 09, 2007

50 Cent dies for our sins in disappointing screen debut.
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Seattle Times
Resource

November 09, 2005

The story and action are serviceable, but there's very little spark in the wooden screen presence of the star and the dearth of subtext or style from the director.
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L.A. Weekly
Resource

November 10, 2005

Even more problematic is the script's clumsy, sprawling architecture, Sheridan's clubfooted sense of pacing and his grubby, indistinct visuals.
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Arizona Republic

November 10, 2005

50 Cent has some good moments, but other times he seems like little more than a blank slate.
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Salon.com
Resource

November 09, 2005

This isn't Sheridan's most complex or richest picture, but there's lots of life to it: This is an unapologetically glossy pop product, powered by a strong, old-fashioned sense of B-movie melodrama.
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