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Gentlemen Prefer Blondes
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DIRECTORS OF "Gentlemen Prefer Blondes"
Gentlemen Prefer Blondes
CRITICS OF "Gentlemen Prefer Blondes"
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Antagony & Ecstasy
Resource

August 01, 2012

An unusually perfect marriage of star, scenario, dialogue, director, and music.
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Filmcritic.com
Resource

August 05, 2010

There is not one single moment when these characters, or this rightful classic, wear out their welcome.
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Time Out
Resource

February 26, 2010

If camp comedy capering (don't call it a social satire!) isn't your thing, it's worth the ticket to see Monroe's iconic and flawlessly choreographed performance of Diamonds Are a Girl's Best Friend (TM): a perfect four minutes of film.
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Times (UK)
Resource

February 26, 2010

Marilyn Monroe and Jane Russell melt the screen as the two little girls from Little Rock seeking Mr Right (or at least Mr Right(TM)s bank account). It(TM)s enjoyable, escapist fluff, with a killer finale.
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Common Sense Media
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July 26, 2014

Classic musical romp with dated premise is silly fun.
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Slant Magazine
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August 01, 2010

If there's a single film that could shatter Laura Mulvey's theory of the "male gaze" it's Gentlemen Prefer Blondes.
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TIME Magazine
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January 26, 2011

For all the three-dimensional attractions of its two leading ladies, this is a rather flat cinemusical.
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EmanuelLevy.Com
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July 17, 2012

Howard Hawks' joyous musical comedy of 1953 is the film that catapulted Marilyn Monroe to major stardom and iconic status as sex symbol.
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Variety
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May 13, 2008

A strong play to the sophisticated dialog and situations is given by Howard Hawks' direction and he maintains the racy air that brings the musical off excellently at a pace that helps cloak the fact that it's rather lightweight, but sexy, stuff.
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Time Out
Resource

August 04, 2010

You won't find a more elegant take on '50s va-va-voom vulgarity or a more joyous paean to the cheesecake self-empowerment of two little girls from Little Rock.
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New Yorker
Resource

January 25, 2016

Howard Hawks adds sly sexual insinuation to the blatantly sexual antics of Marilyn Monroe and Jane Russell in this scintillating 1953 adaptation of the stage musical based on Anita Loos's novel.
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Village Voice
Resource

August 03, 2010

There's more warmth in [Russell's] fondly bemused looks at Monroe, whose friendship is a front-row ticket to the best show in town.
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