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F.I.S.T
The film centers on Johnny Kovak who is a trucker for a big company. He takes part in union organizing for Mike Monahan. One day, Mike is murdered by company thugs, but Jone uncovers an important secret. What will happen?
2 March 1951, Macon, Georgia, USA
12 March 1938, Chicago, Illinois, USA
17 April 1921, Memphis, Tennessee, USA
23 October 1916, Rye, New York, USA
15 September 1921, Houston, Texas, USA
27 October 1925, New Providence, New Jersey, USA
6 December 1916, Hingham, Massachusetts, USA
20 November 1943, New York City, New York, USA
10 May 1945, Berwyn, Illinois, USA
18 December 1915, The Bronx, New York, USA
12 November 1927, Reading, Ohio, USA
20 August 1942, Philadelphia, Pennsylvania, USA
26 September 1932, Boston, Massachusetts, USA
28 November 1923, Wilkes Barre, Pennsylvania, USA
1 November 1962, Grand Rapids, Michigan, USA
12 July 1926, Alamosa, Colorado, USA
December 05, 2005
You'll most likely enjoy F.I.S.T. as much as I did: enough to casually recommend the thing, but not all that loudly or excitedly.
February 09, 2015
F.I.S.T. is another in a long line of well-made films that excel in their particulars, even if they fall a little short as complete, complex pieces of cinema.
November 03, 2007
So-so Sly Stallone as labor leader (like Hoffa). Diversion at best.
March 25, 2013
F.I.S.T. is to the labor movement in the United States what All the King's Men was to an era in American politics.
May 24, 2003
It is well-trodden territory, with nothing exciting or enlightening offered.
March 25, 2013
Stallone likes to depart from his customary muscle image from time to time. Often it fails, but sometimes he succeeds, as in this interesting (albeit somewhat flawed) drama of a Hoffa-like trade union leader.
March 25, 2013
Stallone's performance is a superb blend of stubborn-jawed gravity and ironic hamming.
March 25, 2013
F.I.S.T. stands for nearly 2 1/2 hours of almost unmitigated boredom-a misfired would-be proletarian epic with Sylvester Stallone misplaying the Jimmy Hoffa part with a self-confidence that borders on the sublime.
May 09, 2005
F.I.S.T. is a big movie that benefits more from the accumulation of small, ordinary detail than from any particular wit or inspiration of vision. It's also played with great conviction by its huge cast.