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Falling Down
Driving by his deep will of celebrating with the birthday of his daughter, an unemployed father, struggles against overcoming the obstacles he faces in his way to his daughter, where he struggles against the traffic jam, that forces him to leave his car in the street, but it is not the end of the problems.
21 November 1938, California, USA
24 August 1949, New York City, New York, USA
17 December 1948, Upland, California, USA
26 June 1950, San Francisco, California, USA
7 May 1951
1980
27 August 1943, New York City, New York, USA
28 August 1956, Minneapolis, Minnesota, USA
26 October 1954, Highland Park, Illinois, USA
13 March 1965, Lafayette, Louisiana, USA
July 18, 2011
What makes this an innovative film is Joel Schumacher's bold eschewing of the good-guy-verses-bad-guy Hollywood convention.
December 07, 2009
Atrociously written by actor Ebbe Roe Smith and atrociously directed (it goes without saying) by Joel Schumacher...
January 26, 2006
Sometimes funny, sometimes touching, and certainly unnerving.
May 24, 2009
...holds up pretty well today, even if its tone meanders all over the place.
July 18, 2011
These adventures would be offensive if you could take them seriously, so it's probably good that you can't.
June 01, 2009
A heavy-handed potboiler, but as it raises the temperature, it does give cause to consider the line--so easily crossed--between social function and disasterous personal undoing. [Blu-ray]
July 18, 2011
Let's face it, there is an element of truth in the character of D-FENS. But it is, finally, tabloid truth.
January 10, 2010
The character of William Foster (simply called D-Fens in the closing credits) represents an element of our collective id.
May 20, 2003
It turns one man's slide toward madness into a wickedly mischievous, entertaining suspense thriller.
March 26, 2009
At first comes across like a mean-spirited black comedy and then snowballs into a reasonably powerful portrait of social alienation. The tone is unremittingly dour, however.
July 18, 2011
None of the characters ever rises beyond the level of his or her generic functions, and by the end the overall emptiness of the conception becomes fully apparent.
March 31, 2008
A real artist could make something incisive or darkly hilarious out of this moral tightrope act. Schumacher, veering recklessly between social satire, kick-ass fantasy and damsel-in-distress melodrama, plays the game for opportunistic cheap thrills.