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Exorcist: The Beginning
Following the world war II, where a bloodsheds works and violent crimes held against innocents, Father Lankester Merrin is badly affected by these horrible crimes that leads him to be a disbeliever and travel to Africa, where he works as an archaeologist, but once, incidents come to climax when he is asked to find out the valuable things in the Byzantine church found underneath.
16 December 1947, London, England, UK
23 February 1938, London, England, UK
28 July 1929, Ota, Ogun State, Nigeria
7 August 1958, Ware, Hertfordshire, England, UK
6 June 1971, Queens, New York City, New York, USA
17 August 1970, London, England, UK
18 June 1957, Cambridge, Cambridgeshire, England, UK
25 August 1966, Arnhem, Gelderland, Netherlands
4 June 1970, Bialystok, Podlaskie, Poland
17 April 1942, York, Yorkshire, England, UK
April 29, 2009
Contrived, cliché, murky, muddled, and an utterly gory mess...
July 30, 2007
Most of the movie feels nothing like an Exorcist film.
August 23, 2004
Never feels like anything other than generic, brain-dead, Dolby-jolt, multiplex hackwork -- I kept expecting Skarsgard's habitually catacomb-prowling Merrin to bump flashlights with Lara Croft.
January 01, 2011
Brutal. Not for kids.
February 27, 2007
This is not horror. It's sadism.
June 24, 2006
Reams of tedious exposition finally give way to a random jumble of horror movie clichés, rising to a shrill pitch of hysteria that is never remotely frightening.
June 19, 2008
More than 30 years after the original hit screens, along comes the very best of the sequels.
August 23, 2004
It rates fairly high on both the Scare-O-Meter and Gross-Out Scale, with an early hyena attack guaranteed to have you flinching in terror.
August 26, 2004
Blood, flies, maggots, ravenous hyenas, power failures, grave-digging and much ineffectual voodoo ensue.
February 27, 2007
The serious Catholic themes that made the original film genuinely disturbing have been flattened out into a cartoonish backstory pitting Merrin against Nazi storm troopers.
August 24, 2004
As shocking as an Dokken album cover and, finally, as pious as The Passion of the Christ.