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Death in Love
The film depicts the devastating legacy of a liaison between a concentration camp inmate and a Nazi doctor reflects on the lives of her sons whom the doctor experimented on.

















6 January 1964, Paris, France

15 December 1979, San Diego, California, USA


21 July 1986, USA


August1973, Hampton, New Jersey, USA







13 September 1944, Weybridge, Surrey, England, UK

7 November 1947, Hyattsville, Maryland, USA


6 November 1958, Quebec City, Quebec, Canada


3 September 1981, USA


13 April 1980, Cumming, Georgia, USA


July 17, 2009
A strangely indulgent and highly personal film seemingly crafted less as a piece of entertainment than a work of expression from an increasingly conflicted artist.
July 16, 2009
A raw and uncompromising drama with considerably limited appeal ... leaves a lasting impression, though it's rarely easy to watch.
July 15, 2009
Survivor's guilt jumps a generation in Boaz Yakin's bleak family portrait, an incendiary journey back into the psychic horrors of the Holocaust.
July 18, 2009
Even as the frustrated audience can already see the truths, secrets, and manipulations congeal around the characters, they seem impotent to stop being victims.
July 15, 2009
The failure of the movie is hardly attributable to Lucas, or co-stars Jacqueline Bisset and Lukas Haas. I'm afraid the blame rests squarely on the shoulders of writer-director Boaz Yakin.
July 17, 2009
There's something seriously wrong when you assemble actors this good -- and can't believe a single stilted word coming out of their mouths.
July 16, 2009
The story of miserable people living miserable lives without redemption, humor or hope.
July 23, 2009
Say what you will about Boaz Yakin's epically awful Death in Love, but it wastes no time letting you know what you're in for.
July 17, 2009
How do you explain a movie as hermetic and perverse and ultimately repugnant as Death in Love?
July 17, 2009
Death in Love is occasionally pretentious but always riveting.
July 16, 2009
It's not as if we learn anything or feel any insight or catharsis from watching his characters destroy themselves and others.