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Crash (1996)
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Crash (1996)
CRITICS OF "Crash (1996)"
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City Pages, Minneapolis/St. Paul
Resource

September 01, 2009

With Crash, David Cronenberg drives mainstream cinema over the edge.
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F5 (Wichita, KS)
Resource

February 09, 2006

Wildly unwatchable, as if someone had made Andy Warhol's Frankenstein without being in on the joke.
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Washington Post
Resource

January 22, 2002

"Crash" doesn't extend beyond its most immediate sensationalism. When the movie does attempt to find a theme, it slams into a brick wall of mumbo-jumbo.
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Film4
Resource

October 29, 2003

A stylish, intriguing and typically warped vision that hybridises the imaginations of Ballard and Cronenberg.
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Slant Magazine
Resource

November 12, 2012

[A] necessarily disturbing and equally profound inquiry into human desire, however self-destructive.
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Slant Magazine
Resource

July 05, 2005

It's the cold survival logic of Darwin, where libertarians leave their past behind as if it were dead.
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Variety

September 09, 2008

While the director remains firmly behind the wheel for the first hour or so, he cracks up toward the end with sequences that send the film and the audience into a ditch.
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eFilmCritic.com
Resource

July 30, 2007

Crash is a mutant work of art -- a bracing splash of ice water.
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Los Angeles Times
Resource

February 14, 2001

So far from being involving or compelling, so intentionally disconnected from any kind of recognizable emotion, that by comparison David Lynch's removed "Lost Highway" plays like "Lassie Come Home."
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Time Out
Resource

June 24, 2006

It's a dark, disturbing, languorous movie, as ludicrous, hermetic and repetitive, perhaps, as Ballard's original, but admirably assured and true to itself.
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Entertainment Weekly
Resource

April 04, 2011

For a movie obsessed with the connection between sexual intercourse and car accidents, David Cronenberg's Crash could hardly be more stationary.
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New York Times

May 20, 2003

Mr. Cronenberg, for once oddly inhibited by brazen subject matter, has made a meticulously stylized and controlled film that leaves many of its characters' ideas muffled and lacks the true audacity its material demands.
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