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Crash (1996)
Following the struggles of a young and smart scientist, whose life turns upside down, when he faces a horrible car accident that manages him to find a new kind of life he doesn't know.
10 August 1959, New York City, New York, USA
16 April 1964, Moose Jaw, Saskatchewan, Canada
15 March 1943, Toronto, Ontario, Canada
20 March 1958, Conyers, Georgia, USA
23 June 1960, Montreal, Quebec, Canada
11 March 1961, Montréal, Québec, Canada
7 February 1960, Boston, Massachusetts, USA
12 May 1966, Vancouver, British Columbia, Canada
September 01, 2009
With Crash, David Cronenberg drives mainstream cinema over the edge.February 09, 2006
Wildly unwatchable, as if someone had made Andy Warhol's Frankenstein without being in on the joke.January 22, 2002
"Crash" doesn't extend beyond its most immediate sensationalism. When the movie does attempt to find a theme, it slams into a brick wall of mumbo-jumbo.October 29, 2003
A stylish, intriguing and typically warped vision that hybridises the imaginations of Ballard and Cronenberg.November 12, 2012
[A] necessarily disturbing and equally profound inquiry into human desire, however self-destructive.July 05, 2005
It's the cold survival logic of Darwin, where libertarians leave their past behind as if it were dead.September 09, 2008
While the director remains firmly behind the wheel for the first hour or so, he cracks up toward the end with sequences that send the film and the audience into a ditch.July 30, 2007
Crash is a mutant work of art -- a bracing splash of ice water.February 14, 2001
So far from being involving or compelling, so intentionally disconnected from any kind of recognizable emotion, that by comparison David Lynch's removed "Lost Highway" plays like "Lassie Come Home."June 24, 2006
It's a dark, disturbing, languorous movie, as ludicrous, hermetic and repetitive, perhaps, as Ballard's original, but admirably assured and true to itself.April 04, 2011
For a movie obsessed with the connection between sexual intercourse and car accidents, David Cronenberg's Crash could hardly be more stationary.May 20, 2003
Mr. Cronenberg, for once oddly inhibited by brazen subject matter, has made a meticulously stylized and controlled film that leaves many of its characters' ideas muffled and lacks the true audacity its material demands.