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Chicago
CRITICS OF "Chicago"
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Daily Telegraph (UK)
Resource

February 25, 2015

Whatever one's qualms about the material, its execution here is rock solid in ways that keep on impressing, right through to the niftiest end credits sequence in years.
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Tulsa World
Resource

February 25, 2015

Marshall and company have given the old genre a swift, vigorous kick in the pants. Chicago is one movie that won't let us down; it's our kind of town.
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The New Republic
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February 24, 2013

The net effect of the incessant dazzle is depressing.
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sbs.com.au
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February 25, 2015

Bawdy, funny and exhilarating, Chicago is great entertainment.
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Times (UK)
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February 25, 2015

What makes this more than a film of a great stage show is the way that the action spills seamlessly from the stage sets into real life. Magic.
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Sunday Times (UK)
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February 25, 2015

You know you have just witnessed a good musical when you leave the theatre or cinema with one, or more, of its songs still ringing in your head.... But after seeing Chicago, I did not whistle or tap my way home.
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AV Club
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February 12, 2014

As sentimental as a plywood casket, Chicago has satirical bite and a mean wit that somehow never obscures its characters' unlikely likability.
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Independent (UK)
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February 25, 2015

As a reproduction of the stage show, Chicago isn't bad, but it makes no persuasive case for itself as a film.
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New York Magazine/Vulture
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February 24, 2013

The song-and-dance numbers are calisthenic but unspectacular, with too much fast cutting, and the tone throughout is harmlessly facetious.
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Associated Press
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February 12, 2014

With performers as good as these and the freshness of Bill Condon's screenplay and Marshall's direction, there's really very little wrong with Chicago. What it lacks is something intangible -- heat.
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Minneapolis Star Tribune
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February 25, 2015

Chicago is sexy, sordid and sensational, the Windy City's biggest hit since the St. Valentine's Day Massacre.
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Wall Street Journal
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February 12, 2014

Rob Marshall's screen version of the near-venerable show looks great, in its razzly-dazzly neo-Fosse way, and sounds good, especially when Renee Zellweger's gorgeous Roxie Hart is singing her heart out.
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