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Che: Part One
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Che: Part One
CRITICS OF "Che: Part One"
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What Culture
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March 24, 2011

The quality of the film is more than a testament to Mr Del Toro's acting skills, it is a reminder that Hollywood can make great films without 'selling out'.
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DCist
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June 13, 2010

Soderbergh has no interest in sentimentality, or back story, or even really in Guevara's philosophy, except as a rigorously footnoted onscreen reflection. Practically rejecting outright the concept of poetic license, Che is radical as a biopic.
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Miami Herald
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January 23, 2009

As absorbing as it is frustrating.
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Movie Metropolis
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January 17, 2010

Che is a ground-level study in perseverance.
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East Bay Express
Resource

August 16, 2011

The myth somehow deserves better.
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Q Network Film Desk
Resource

February 04, 2010

simultaneously a Hollywood throwback with its lengthy, four-and-a-half-hour roadshow grandiosity and a challenging experiment in genre reformulation
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Film.com
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March 06, 2009

There is precious little in these movies to fill out our understanding of what it was that made Che a rebel, a leader of men, and the repository of the romantic dreams of several generations of armchair revolutionaries
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Las Vegas CityLife
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January 26, 2011

The director sees Guevara as a pure humanitarian. ... The films are excellent, but understanding this complex historical figure requires more than one source.
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Detroit News
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January 23, 2009

Che, the story of a failed revolutionary, also fails as a film.
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Toronto Star
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February 20, 2009

A potentially great title-role performance by Benicio Del Toro, which won him the best actor award at Cannes, is buried beneath Soderbergh's stylistic tics and a defiant lack of dramatic tension.
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MovieTime, ABC Radio National
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October 01, 2009

Soderbergh has made two almost perfect war films, more like the Rings Trilogy than The Green Berets.
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Orlando Sentinel
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February 18, 2009

In releasing this reverent, meticulous, fascinating but flaccid history in two lengthy parts, Soderbergh committed perhaps the greatest sin of all. He made Che boring.
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