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Carmen Jones
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Carmen Jones
CRITICS OF "Carmen Jones"
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Ozus' World Movie Reviews
Resource

January 27, 2008

Electric performance by Dorothy Dandridge as the sultry whorish Carmen Jones.
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BBC.com
Resource

February 10, 2007

The best reason to revisit Carmen Jones lies in Dorothy Dandridge's electrifying performance, which saw her become the first African-American to be nominated for a Best Actress Oscar.
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Movie Metropolis
Resource

December 17, 2013

If you're not a fan of opera, you probably won't care much for 'Carmen Jones,' despite some pretty solid acting and scenes that bring postwar America to life.
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Empire Magazine
Resource

February 09, 2007

Woefully miscast in places and extremely dubious in its portrayal of African-Americans but does boast an on-form Dorothy Dandridge.
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Goatdog's Movies
Resource

October 01, 2009

A film in which talented, attractive people sing ugly lyrics to beautiful music in other people's beautiful voices amid ugly shot framing and ill-timed cutting.
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Guardian
Resource

February 10, 2007

Every frame, you feel, is freighted with the tension imposed by the never-appearing white folks. It was, however, laudable in its desire to showcase the talents of African-American performers who were denied opportunities in Hollywood.
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Chicago Reader
Resource

October 23, 2007

Impeccably liberal in its time, the film has not aged gracefully, although Dorothy Dandridge's performance in the lead remains a testimony to a black cinema that might have been.
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TV Guide
Resource

October 23, 2007

Preminger's heavy-handed adaptation of a Broadway triumph combines gorgeous music with risible lyrics by Oscar Hammerstein II; the project is saved by a terrific cast.
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EmanuelLevy.Com
Resource

July 14, 2010

Dorothy Dandridge became the very first black woman to receive Best Actress Oscar nomination for Otto Preimger's audacious (for the early 1950s) all-black musical of the famous opera.
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Time Out
Resource

February 09, 2006

The somewhat heavy-handed direction and the ultimately two-dimensional characters leave you admiring the workmanship without plucking at the necessary emotional/romantic heart-strings.
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Variety
Resource

October 23, 2007

Otto Preminger has transferred it to the screen with taste and imagination in an opulent production.
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New York Times

May 20, 2003

A crazy mixed-up film.
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