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Big Daddy
With his girlfriend about to leave him, a lazy lawyers wins accidentally a lawsuit that fetches him a mouthwatering amount only to get a 5 years old boy dropped on him by his friend on his way to work.
















13 October 1964, Palm Beach County, Florida, USA




19 December 1969, Mission Viejo, California, USA




4 August 1992, Arezzo, Tuscany, Italy

27 May 1962, Utica, New York, USA

4 October 1991, Manhattan, New York City, New York, USA

22 August 1933, Buenos Aires, Argentina

16 December 1968, West Hartford, Connecticut, USA

24 September 1954, New York City, New York, USA

20 April 1976, Brooklyn, New York, USA

4 January 1967, Red Hook, Brooklyn, New York, USA



6 March 1931, Los Angeles, California, USA

1 June 1974



November 29, 2009
The heavy-handed sentimentality provokes a most violent gag reflex.
January 15, 2008
Those expecting another run of the mill Sandler film will either be pleasantly surprised or disgusted by this foray of his into new and different territory.
March 19, 2002
How's this for a novel complaint: Big Daddy just isn't stupid enough.
December 11, 2006
However simplistic Big Daddy is, it is also easy viewing.
December 22, 2010
Typical Adam Sandler -- charm mixed with crude humor.
July 23, 2007
Another genial Sandler opus.
February 09, 2006
This lightweight, bubblegum caper synthesises robust, physical humour, self-deprecation and witty one liners. The main problem, as with most other dumb boy pictures, is that the supporting characters are underwritten.
June 02, 2008
Ending is predictably gooey but Sandler's edge staves off the sludge for long enough in an otherwise fresh and funny piece.
February 14, 2001
There's no doubt Sandler is talented, but if he persists in believing that, like Elvis, his presence alone covers a multitude of omissions and inconsistencies, he will squander his gift and make a series of forgettable films in the process.
July 21, 2005
Funny-sweet, understand, not bleccchh sweet.
June 02, 2008
This light yet earnest drama starring Adam Sandler deals openly with one of the most insidious elements in popular filmmaking -- the male screenwriter's relationship with his own father.
June 18, 2002
Worst of all is the way Sandler wants to have it both ways: to muck around in gross-out humor one minute and then turn schmaltzy the next minute with some fraudulent business about how much he loves the kid.