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Basic Instinct 2
Novelist Catherine Tramell is once again in trouble with the law, and Scotland Yard appoints psychiatrist Dr. Andrew Glass to evaluate her and soon gets intrigued by this seductive and manipulative woman. But as the number of murders increases, including that of Glass's ex-wife, Glass becomes obsessed with proving Tramell's guilt even though the evidence is contradictory .
19 June 1975, Stoke-on-Trent, Staffordshire, England, UK
21 August 1979, Highgate, London, England, UK
March 10, 1978 in Hildesheim, Germany
1949, UK
14 May 1973, Bath, Somerset, England, UK
27 May 1981, Glasgow, Scotland, UK
1974, Dublin, Ireland
26 October 1948, London, England, UK
April 23, 2009
Silly, shock-pandering lines like that nearly sink the film to Showgirls level.
June 21, 2007
jedan od rijetkih primjera kada je publika pokazala kako, za razliku od Hollywooda, ipak ima pojma o nekim stvarima
April 03, 2006
Basic Instinct 2 has a stylish look and a few sexy moments, but the plot goes from confusing to implausible to absolutely ludicrous in the final sequence.
January 27, 2007
Poor Sharon Stone. She's still big; it's the erotic thrillers that got small.
January 26, 2014
We actually don't see very much killing at all--except, maybe, that of the careers of Morrissey and Stone.
March 01, 2007
Sadly, nothing following lives up to the prurient promise of this sequence, as the film becomes a monotonously talky, gloomy affair.
April 21, 2006
Stupefyingly lackluster.
April 20, 2009
In spite of Sharon Stone's hearty encore performance as the ultimate femme fatale, "Basic Instinct 2" falls unbearably flat.
March 31, 2006
Even the ice pick looks like it really doesn't want to be there.
April 21, 2006
Like many sequels this is actually a remake, and it suffers from the law of diminishing returns.
June 24, 2006
As a stand-alone film, this doesn't work; but viewed through the prism of the original, it offers some twisted, self-conscious pleasures.
April 04, 2006
The plot, already mired in nonsensical backstory, collapses with the late-inning introduction of a tired metafictional device (not to mention a wildly lunging Usual Suspects twist).

