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Amen.
The movie is about Kurt Gersteein. He is a Waffen-SS officer employed in the SS Hygiene Institute. He is shocked when he knows that the process he has developed is now being used to kill Jews. He tries to inform Pope Pius XII about Jews who is sent to concentration camps. Only Young Jesuit priest Ricardo Fontana helps him.
1967, Moers, Germany
30 October 1970, Bucharest, Romania
2 March 1971, Moscow, USSR
21 March 1968, Bucharest, Romania
22 February 1945, Braila, Romania
16 October 1944, Bucuresti, Romania
26 February 1940, Bucharest, Romania
31 May 1962, Karlsruhe, Baden-Württemberg, Germany
19 May 1962
28 August 1929, East Prussia, Germany
16 May 1966, Munich, Bavaria, West Germany
1 August 1952, Târgu Jiu, Gorj, Romania
9 March 1942, Bucharest, Romania
28 March 1974, Mainz, Rhineland-Palatinate, Germany
22 July 1954, Constanta, Romania
21 January 1973, Bucuresti, Romania
August 27, 2003
Though Costa-Gavras brings nothing new to the table about the Holocaust, he puts another nail down in the argument that the world could have acted but didn't because of indifference.
August 01, 2003
It's so inert, so slow-moving that it seems at least twice as long as it really is, and it manages to waste a potentially fascinating premise.
April 11, 2003
What should have been agonizing in its impact comes off as wooden, perhaps because Costa-Gavras works in schematic fashion, spoon-feeding us issues while skimming the historical surface.
July 16, 2003
Extremely heavy-handed, almost comically repetitious, and way too long.
September 23, 2003
a sputtering, wet firecracker
August 01, 2003
Costa-Gavras often shortchanges the story's inherent drama for talky and strident speechifying.
June 27, 2003
Tukur's performance is the centerpiece of the movie; it's a wonderful mixture of outrage and swiftly disappearing naivete.
August 12, 2003
Though such elements might chip away somewhat at Amen's seriousness of intent, they do add fire to the stimulating drama.
March 14, 2003
Amen., a docudrama rather than a documentary, is clearly guided by Shoah's example, asking us to reflect on the Holocaust and what made it possible rather than simply recoil from it.
May 28, 2003
Costa-Gavras' political thrillers used to jab and thrust with lethal efficiency. This one just pounds against a heavy bag, huffing and puffing all the way.
July 25, 2003
Costa-Gavras deserves credit for staying the course; in a time when most European film directors are wringing their hands, he's still pointing fingers.
May 01, 2003
In a remarkably subtle turn, the German Tukur is convincing as [Gerstein].

