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A Woman, a Part
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DIRECTORS OF "A Woman, a Part"
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CREATORS OF "A Woman, a Part"
A Woman, a Part
CRITICS OF "A Woman, a Part"
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Screen International
Resource

March 20, 2017

The feature debut from award-winning short film director Elisabeth Subrin is a rewarding, if occasionally solipsistic, study of a complex, mature woman at a crossroads in her life.
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Spirituality and Practice
Resource

March 17, 2017

Portrait of one woman's resilience as she moves through a difficult mid-life crisis.
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Hollywood Reporter
Resource

March 20, 2017

It's chiefly notable for Cara Seymour's nuanced supporting turn as Anna's sometime best friend, Kate.
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Brooklyn Magazine
Resource

March 20, 2017

For her feature debut, Subrin forsakes the experimentalism of her short films and video installations for a relatively conventional narrative and storytelling grammar. No matter: A Woman, A Part is compelling all the same.
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Village Voice
Resource

March 22, 2017

Siff gives a modest but poignant performance that rings true for women of a certain age and career.
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Slant Magazine
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March 19, 2017

The film's depiction of friendship seldom pushes past insights predicated on a fundamental tension between characters.
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The Young Folks
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March 24, 2017

A Woman, A Part is excellent storytelling from start to finish and I can't wait to see what story Subrin tells next.
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RogerEbert.com
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March 22, 2017

A Woman, a Part mixes passion and ambivalence to create a work with ambiguities that seem earned, and lived in.
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Variety
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March 28, 2017

"A Woman, a Part" knows how to hold an audience, and it's got a fresh, if commercially limited, subject: What happens when hipsters get old.
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New York Times
Resource

March 21, 2017

Touching on issues of artistic survival and the porous boundary between work and pleasure, Ms. Subrin, an accomplished visual artist and filmmaker, sifts addiction, celebrity and the plight of the aging actress into something rarefied yet real.
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