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A Place In The Sun
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A Place In The Sun

Description
George Eastman, a handsome and charming but basically aimless young man who goes to work in a factory run by a distant, wealthy relative. Feeling lonely one evening, he has a brief rendezvous with assembly-line worker Alice Tripp, but he forgets all about her when he falls for dazzling socialite Angela Vickers. Alice can';;t forget about him, though: she is pregnant with his child. Just when George';;s personal and professional futures seem assured, Alice demands that he marry her or she';;ll expose him to his society friends.
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A Place In The Sun
CRITICS OF "A Place In The Sun"
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Guardian
Resource

January 31, 2013

Gripping from first to last.
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Not Coming to a Theater Near You
Resource

October 14, 2011

The power of A Place in the Sun's plot, and its most noirish element, is its ability to force the viewer to unquestioningly follow this dream logic.
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Total Film
Resource

February 04, 2013

Most of Dreiser's acrid social satire is smoothed away by Stevens' grandiose style, and it's all too stately to be affecting.
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London Evening Standard
Resource

February 01, 2013

Stevens's unsentimental characterisation and the pair's fine performances make this one of Clift's most memorable films.
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EmanuelLevy.Com
Resource

March 03, 2008

Though not as powerful as Von Sternberg's first version, it still merits attention for the strong perfromances of Clift, Taylor, and Shelley Winters--and that mega clos-up of a kiss, which broke records of erotic imagery at the time.
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Chicago Reader
Resource

November 13, 2007

Hopelessly inadequate as a reading of Dreiser's great novel, and as usual Stevens seems too preoccupied with the story's monumentality to have much curiosity about its characters.
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Little White Lies
Resource

January 31, 2013

Clift's mesmerising, tragic performance only deepens with time.
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Observer (UK)
Resource

February 03, 2013

George Stevens's meticulously observed 1951 version of Theodore Dreiser's massive 1925 novel An American Tragedy ...
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Time Out

June 24, 2006

Typically slow and stately in the later Stevens manner.
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Chicago Reader
Resource

November 13, 2007

A good example of the kind of soporific nonsense that won rave reviews and armloads of Academy Awards back in the 50s, while the finest work of Ford, Hawks, and Hitchcock was being ignored.
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The Australian
Resource

June 27, 2014

One of the great studio dramas of the period and one of this column's favourite films, with haunting performances from Elizabeth Taylor and Montgomery Clift.
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